1. |
Input: Raw Audio Source
00:41
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Input: Field Recording
Field recording is made in a local restaurant. While John Cage’s 〈4’33”〉 questioned the role of ambiance sound in a piece of art work, our〈4’33”ed〉 uses ambiance sound as it’s source.
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2. |
Process I: Concatenation
02:00
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Process I
The sound source recorded is repeated three times, imitating and crediting the three “movements” of John Cage’s 〈4’33”〉.
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3. |
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Process II
Speed adjustment of the three parts was made, so as to make difference between different movements: 1st part- 25% of original speed; 2nd part- 50% of original speed; 3rd part- original speed. The duration of the track is then trimmed to 4’33”.
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4. |
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Process IIIA
The track is plugged into two different distortion amplifier plug-ins with different sound textures. This track is the first plug-in.
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5. |
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Process IIIB
The track is plugged into two different distortion amplifier plug-ins with different sound textures. This track is the second plug-in.
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6. |
Output: 〈4'33"ed〉
04:33
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Output: 〈4’33”ed〉
Tracks created in IIIA and IIIB are combined. One on left and one on right, forming the final output 〈4’33”ed〉, a harsh noise abstract track from daily found sound. Everything Music.
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433 Records Hong Kong
Everyth!ng Mu:zic
A mini label exploring how music is defined / redefined / encoded / decoded / deconstructed / reconstructed / experienced / experimented.
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